Join us on MAY 7-8, 2026

For THE Royal Anthropological Institute Film Festival

at UCLA

FEATURING groundbreaking ethnographic, anthropological, and archaeological filmmaking from around the globe

PROGRAM

THURSDAY, MAY 7th

12pm

Earthbound Knowledge (Six Short Films, 101 mins)

Relational wisdom and sensory practices reconnecting us to the natural world 

3pm

Anatomy of Care (Four Short Films, 93 mins)

Performances, practices, and biopolitics that shape health systems. 

6pm

Above and Below the Ground(Feature Film, 86 mins)

Director Emily Hong in attendance for Q&A

In Myanmar, indigenous women activists and punk rock pastors protect a sacred river from a Chinese-built megadam 

FRIDAY, May 8th

12pm

Crafted Sound (Three Short Films, 94 mins)

Director Scott Linford of “Mind, Hands, Work: Fidel Sambou Builds An Ekonting” in attendance for Q&A

On instrument-making, sonic heritage, and changing musical cultures 

3pm

A Body of Work(Five Short Films, 79 mins)

The mechanics of human and embodied labour in the age of automation.

5pm

God is a Woman(Feature Film, 85 mins)

 A meditation on cultural memory, representation, and the right of Indigenous peoples to reclaim their own image

7pm

Closing Reception

7:30pm

Concert (13 musicians, 45 mins)

Featuring Gamelan Master and UCLA Professor Nyoman Wenten and music composer Malcolm Cross 

SCREENING VENUE

UCLA
Glorya Kaufman Dance Theater, Room 200

120 Westwood Plaza, Los Angeles, CA 90095, United States

Interactive Campus Map

PARKING

Pay-by-space parking is available in Parking Structure 4.

Permit and Pay-by-Plate parking. Visitors may park in designated pay station parking areas. Once parked, go to the nearest parking pay station to purchase duration of parking time needed. Pay using exact cash amount or with a credit card.

SAVE THE DATE

May 7-8, 2026

@ UCLA

free to attEnd

OPEN TO THE PUBLIC

ABOUT US

ROYAL ANTHROPOLOGICAL INSTITUTE

Established in 1955, RAI FILM highlights groundbreaking anthropological films from around the globe. Our mission is to advance the role of film in anthropology and share the richness of anthropological insight with a broad audience. Through film, we explore cultural diversity, encourage intercultural dialogue, support filmmakers, and foster a thriving, inclusive community. We provide a dynamic platform and valuable resources for discovering the world of anthropological documentary filmmaking.

DEPARTMENT OF ANTHROPOLOGY

DEPARTMENT OF WORLD ARTS AND CULTURE/DANCE

Established in 1941, the UCLA Anthropology department grew to prominence immediately after World War II and has consistently ranked among the top ten departments in the country, both for the distinction of its faculty and the quality of its teaching.

The faculty and students of World Arts and Cultures/Dance (WACD) forge new understandings about the social and cultural impacts of choreography, performance, media, visual arts, activism, and critical studies.

FILMS

SHORT STUDENT COLLECTION

EARTHBOUND KNOWLEDGE

Relational wisdom and sensory practices reconnecting us to the natural world [101 mins]

Apis

Directed by Gabriel Cowan

2023, UK, 11 mins

Beekeeping in the United Kingdom is experiencing increasingly difficult seasons. Apis – Latin for bee – is a short film which delves into how these relationships are changing due to the impending climate crisis. By examining these relationships through multispecies ethnography, the director pieces together the stories of three British beekeepers and examines the unique bonds each beekeeper has with their bee colonies.

KEYWORDS: agriculture / farming / food, animals / multispecies ethnography, environment / climate change

Arbors, Herbs and Banana Leaves

Directed by Xiaohui Liu

2024, China, 29 mins

In the mystical mountains of Yunnan, China, the Blang people and wild plants share a sacred dance of existence — where trees possess divine powers, herbs heal bodies, and banana leaves whisper to ancestors — revealing that in this ancient relationship, plants aren’t merely objects to be used, but subjects with voices of their own.

KEYWORDS: agriculture/ farming / food, archaeobotany/ ethnobotany, environmental / climate change 

SCREENING: Thursday, May 7th @ 12pm

Eating Spring

Directed by Yuanya Feng

2024, China, 23 mins

Zoe Yang started foraging for edible herbs to connect with her Chinese heritage in New York, where her family planted roots. This observational documentary offers an intimate portrait of Zoe’s foraging practice over spring, as filmmaker Yuanya Feng accompanies Zoe as she trespasses and forages, tasting what she picks along the way.

KEYWORDS: collective / community identity, environmental / climate change, everyday life, food ethnography, hunting / gathering / fishing, sensory ethnography

Lullaby of Waves

Directed by Ayon Pratim Saikia

2023, India, 15 mins

A mother’s life in the isolated region of Sadiya, Assam, becomes a poignant exploration of belonging and identity, as she and her son navigate life shaped by the formidable Brahmaputra River and grapple with the judgments of others.

KEYWORDS: environmental / climate change, gender/ identity / empowerment, life story / life history, personal narrative, socioeconomic conditions

Sheep, Dog and Wolf

Directed by Sujay Iyer

2023, Hungary, 13 mins

Hungary used to co-exist with wolves. But the environmental and political conditions drove them out of their borders for nearly 100 years. With their reemergence over the last decade Sheep, Dog and Wolf, shows Csaba and his five dogs as they care for the livestock in prime wolf territories in the northern mountains.

KEYWORDS: agriculture / farming / food, animals / multispecies ethnography, environmental / climate change, everyday life, herding, rural

I Walk While Glaciers Melt

Directed by Lucia Lambarri Barberis

2024, Peru, 9 mins

This visual essay blends animation and live-action to traverse the Andean mountains of Cusco, reflecting on walking as a medium for embracing life’s fragility and transformation. Revisiting Andean animism, rituals, and pilgrimage, it interrogates modernity and our place amid melting glaciers, while celebrating collective experiences and connections.

KEYWORDS: animation, environmental / climate change, essay film, ritual, tourism/ travel / pilgrimage

SHORT COLLECTION

ANATOMY OF CARE

Performances, practices, and biopolitics that shape health systems. [93min]

Dr. XYZ: A Medical Drag Transthology

Directed by El Jaunts

2023, UK, 14 mins

An exercise in queering the healthcare information film, weaving ethnographic healthcare accounts from Birmingham’s trans+ community with moments of drag-satire re-enactment depicting a collective vision of the UK’s healthcare system.

KEYWORDS: health / healthcare / healing, LGBTQI*, participatory / collaborative methods, political activists

THE MEMO

Directed by Chen Sisi & Yang Xiao

2023, China, 29 mins

A video diary of the surreal lockdown made by the filmmaker couple who were trapped in a small apartment in Shanghai. In the face of endless madness, the camera gradually breaks free from the window to observe the vast, unprecedented social isolation.

KEYWORDS: digital media / internet, health / healthcare / healing, human rights, law and legislation / bureaucracy

SCREENING: Thursday, May 7th @ 3pm

Human Factors

Directed by Anna Dobos

2023, UK, 24 mins

An experimental documentary exploring the performativity of professionalism, care and capacity within healthcare and emergency services for the management of crisis.

KEYWORDS: everyday life, health / healthcare / healing

OMI-DO

Directed by Nikolas Papadimitriou

2024, Greece, 26 mins

Approaching 80 years of age, Dimitris Omiridis trains daily, claiming a healthy and fit body. He is the owner of a fitness school in central Athens, where friends and students get acquainted with his singular philosophy and body training practice.

KEYWORDS: elderly people, life story / life history, sport

FEATURE

Above and Below the Ground

Directed by Emily Hong

2023, Myanmar, 86 mins

In Myanmar’s first and only country-wide environmental movement, Indigenous women activists and punk rock pastors defend a sacred river from a Chinese-built megadam through protest, prayer, and Karaoke music videos.

KEYWORDS: environmental / climate change, gender / identity / empowerment, indigenous peoples / First Nations peoples, infrastructure / transport / development projects, modernization / globalization, political activists

Director Emily Hong will be in attendance for a Q&A

SCREENING: Thursday, May 7th @ 6pm

SHORT COLLECTION

CRAFTED SOUND

On instrument-making, sonic heritage, and changing musical cultures (94 mins)

Goong: Sound Through Fire

Directed by Maria Mendonça

2023, Indonesia, 34 mins

Sukoharjo in Central Java is one of the few remaining centres of bronze gong forging in Indonesia. Goong: Sound Through Fire follows the creation of a large Sundanese gong (goong) in Sutarno’s forge in Jatiteken, Sukoharjo. The film takes an immersive, multi-sensory approach, featuring the rich, multi-layered soundscape of the forge and the ever-shifting colours and intensities of the fire through the different phases of the craftsmen’s work, guided by the occasional interjections of Sutarno.

KEYWORDS: arts / artists / artisans, dance / theatre / performance, music / ethnomusicology, sensory ethnography

SCREENING: Friday, May 8th @ 12pm

Director Scott Valois Linford of Minds, Hands, Work: Fidel Sambou Builds an Ekonting will be in attendance for a Q&A

Mind, Hands, Work: Fidel Sambou Builds an Ekonting

Directed by Scott Valois Linford

2024, Senegal, 22 mins

Fidel Sambou is a sculptor and player of a three-stringed musical instrument called ekonting in the Casamance region of Senegal. In this film, he builds an ekonting in a new way and discusses the inspiration for his innovations.

KEYWORDS: arts / artists / artisans, music / ethnomusicology

The Musical Valley: Otavalo Indigenous Musicians at the Crossroads of Transnational Circulations

Directed by Jérémie Voirol

2023, Ecuador, 38 mins

A captivating exploration of Otavalo Indigenous musicians in the Ecuadorian Andes, revealing how migration, urbanisation, globalisation, and technology intertwine with ancestral sounds to shape their dynamic contemporary cultural identity.

KEYWORDS: music / ethnomusicology, participatory / collaborative methods, popular culture

SHORT COLLECTION

A Body of Work

The mechanics of human and embodied labour in the age of automation. [79 min]

Ggésék

Directed by Weiyan Low

2024, Malaysia, 18 mins

Amidst the clacking of gears and silent prayers, Matchstick is a portrait of a twilight industry — a site of memory, resilience, and human-machine intimacy.

KEYWORDS: labour, science / technology, sensory ethnography

THE LIMITS

Directed by Pablo Barriga Dávalos

2023, Bolivia, 17 mins

The noise made by a chainsaw. The removed earth where the newly planted pine trees will grow. The Quechua spoken in the Bolivian Andes. The tense and fragile relationship that is established between them, and the many meanings that are hidden in a territory.

KEYWORDS: environmental / climate change, indigenous peoples / First Nations Peoples, land rights, social conflict, socioeconomic conditions

SCREENING: FriDAY, May 8th @ 3pm

HETEROTOPIA

Directed by Nikola Nikolic

2024, Serbia, 7 mins

Heterotopia is a film about space that integrates different categories of time, both through the issue of progress contained in the collective, and through the prism of individual and personal experience.

KEYWORDS: labour, sensory ethnography

Rimana Wasi: Home of Stories

Directed by Piotr Turlej & Ximena Malaga Sabogal

2022, Peru, 20 mins

A radio host in the city of Puno, Peru, Chaska helps bring popular Quechua stories into the homes, stores, and fields of thousands of highland-dwelling families. But she is also a mom to three restless children, and a dutiful daughter of rural alpaca herders. Finding a comfortable balance between her personal dreams and her dedication to her family, in constant travel from the city to the countryside, is not proving to be easy.

KEYWORDS: family / kinship, gender / identity / empowerment, indigenous peoples/ First Nations people

Reception Room, Wing D

Directed by Ikuno Naka & Garima Jaju

2024, India, 17 mins

In a government office in New Delhi, the film follows the receptionists and the arriving public as they navigate the labyrinthian bureaucracy beyond. As files, chai, sweets, and gossip circulate between people, an intimate portrait of the state emerges.

KEYWORDS: law and legislation / bureaucracy, reflexivity, social norms

FEATURE

GOD IS A WOMAN

Directed by Andrés Peyrot

2023, Panama, 85mins

This poignant and multi-layered documentary follows the journey of Panama’s Indigenous Kuna community as they recover a long-lost film made about them in the 1970s. What begins as a quest to retrieve missing footage unfolds into a powerful meditation on cultural memory, representation, and the right of Indigenous peoples to reclaim their own image.

KEYWORDS: archival material / museum displays, collective / community identity, film / photography / mass media, history, participatory / collaborative methods, research methods

SCREENING: Friday, May 8th @ 5pm

CONCERT

Music Composer - Malcolm Cross

Gamelan Master - Nyoman Wenten

45 mins

Featuring nine musicians and three vocalists for an ensemble of gamelan and Western instruments with original music composed by Malcolm Cross featuring gamelan master Nyoman Wenten for the ethnographic films of Elemental Productions

PERFORMANCE : Friday, May 8th @ 7:30pm

SCREENING INFORMATION

VENUE

UCLA

Glorya Kaufman Dance Theater

Kaufman Hall, Room 200

120 Westwood Plaza, Los Angeles, CA 90095, United States

Interactive Campus Map

PARKING

Parking Structure 4

Pay-by-space parking is available in Parking Structure 4.

Permit and Pay-by-Plate parking. Visitors may park in designated pay station parking areas. Once parked, go to the nearest parking pay station to purchase duration of parking time needed. Pay using exact cash amount or with a credit card.

FREE and Open to the Public

No RSVP or Tickets Required

First come, first served

TICKETS

Contact Us

Have any questions about the program?